» The Dove, woman, sphere and lots of empty space» — exhibition project in format of visual dialogue with father.
Project was conceived as direct work with father in creative tandema, but attitudes and plans changed. To do the dialogue with my father, I took his painting, which I watch every day when I’m a house.
» Expression& raquao; Igor Panin, 1988
monochrome version, painting original can be seen in end of story about projectThis painting was <laquo; Expression& raquao; written in 1988 and dedicated to the birth of the first child in the family.
The plot and the shapes & laquao; Expressions& raquao; began to appear when I was about 15 years old. Before that’s what I’ve seen in that painting is another wonderful form. Now this painting initiates for me questions of birth bordering not c life, and not death, a c the existence of a life-tact; — existence of time before birth. Thoughts about possible underbirth in the context of working with father’s map provokes existential conflict in me existential conflict.
» Expression& raquao; , fragment, Igor Panin, 1988
.» Expression» — root of the visual process of this project. The objects are created in two ways: by studying the shape of the semi-autonomous painting and by studying its iconography.
Project work continues to make sense of the painting, but by developing a line of humble life-inflicted inflammation of the painting. You can see how the installation and objects are transformed from & laquao; answers to the painting& raquao; into parallel storytelling rethinking the plot of the painting.
.» Expression& raquao; , fragment, Igor Panin, 1988
. If the picture of < < < Expression» — o is about to be born, about
fragments of the painting <laquao; Expression& raquao; Igor Panina
Home, woman, sphere and a lot of empty space — a description of the painting <laquo; Expression» which my father wrote. The object of the painting became the name of the project.
The project was presented in the gallery <laquo; Boray» in
Project content:
1. & quo; Approaching Expression& raquao; , Graphic Towel Series 2. & quo; Mother& raquao; , Subject 3. < <The Spirit wins wherever it wants», installation 4. <i> <i> <i> <i> <i<i> <i<i> <i<i> <i> <i> <i> <i> <i> <i> <i> <i<i> <i> <i</i> <i> > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > & quo; To be revealed», series of hummochromat graph 5. & quo; Illustrated& raquao; , installation 6. & quo; Expression& raquao; , painting of Igor Panin
7. View of exposure in HSE ART GALLERY» Approaching Expression», towel series
& laquao; Approaching Expression& raquao; , Graphic Series, 2024
Graphics series is dedicated to the space of this̆ paintings. Optics are set to maximum approach. The approach of — separates the originals from the originals̆ the image, turning it into non-existents̆ the landscape.
For greater dissolvation of the original image, and also from the it was decided to translate the painting into
Format is toweled 210×147 see, the format of the graphic element of such as well as the original of the paintings — 44,5×58.5 see
.» Approaching Expression& raquao; (1), Graphic Series; Nass, Acrylic psychic, laser seal, 2024
» Approaching Expression& raquao; (2), Graphic Series; Nass, Acrylic psychic, laser seal, 2024
» Approaching Expression» (3), Graphic Series; Nass, Acrylic psychic, laser seal, 2024
» Approaching Expression» (4), Graphic Series; Nass, Acrylic psychic, laser seal, 2024
» Approaching Expression& raquao; (5) series of graphs; bragging, acrylic psychic, laser seal, 2024
Cartin ' la quo; Expression» is more of a semi-adversarial, because it may still be about the iconography inside this painting. < <allowing to shows» — has become a series of abstract towels, not contains nothing in you have nothing but a possible landscape.
Any painting contains many paintings in you have a variety of paintings, but an abstract painting seems to be more about fragmentation and embedding fragments with the status of separate forms.
& laquao; Approaching Expression& raquao.
View of the exhibition in Borey’s gallery (23 April — 4 May 2024), St. Petersburg
& laquao; Mother& raquao; , object
The object is derived from the motivations of the iconography of the painting. The capital sign of this object is — a pregnant woman shown on a map in a position. From the 'nbsp; the black dress is filled with flour — metaphor not a life has come true.
» Mother& raquao; object; black dress, 6 kg flour, 2024
The main figure is a woman in a dress with flour in over time. Throwing flour out of 'nbsp' has become a metaphor for losing life. The flour drowns out of 'nbsp; it’s like the mother’s family is disappearing
» The Spirit is at its best.», installation
» The Spirit is flying wherever it wants», installation; bird cells of different sizes, beef, 2024
For the installation of & laquao; The Spirit is the main sign of the painting by the pigeon. B this work defines the pigeon through the cell. It turns out that the dialogue between my work and the father’s map by means of signs can lead to and all to the to the denial of the image.
View of the exhibition in Borey’s gallery (23 April — 4 May 2024), St. Petersburg
View of the exhibition in Borey’s gallery (23 April — 4 May 2024), St. Petersburg
» To be revealed& raquao; graphical series
» To be shown& raquao; graphic series; hummochromat photoprint, cotton paper, 2024
Graphic series <laquao; to be seen& raquao; anticipates the subsequent exhibition of body prints in flour. The series represents from the self-images of the installation <laqua; presented& raquao; translated into negative. The negative image turns a fragile white flour print into a monumental concrete sculpture.
The series is made in a hummochromat photoprint technique.
» To be shown& raquao; graphical series; hummochromat photoprint, 2024
» To be revealed& raquao; , fragments, 2024
» To be shown& raquao; graphical series; hummochromat photoprint, 2024
» To be revealed» fragment, 2024
original photographs of body print in flour
» Presented& raquao; , installation
» Illustrated& raquao; , installation; 6 kg flour, body, 2024
» Presented» — this is a body print in flour. The installation is dedicated to the hidden iconography of the painting, because the body in the embryo is not presented on the map, but this sign can be made up, because mainly on the map is the image of a pregnant woman.
» Illustrated& raquao; , installation; 6 kg flour, body, 2024
View of the exhibition in Borey’s gallery (23 April — 4 May 2024) St. Petersburg
» Mother of the manifest» — is a dress made of marli.
B the context of the project <laquo; Mother of the apparent& raquao; represents from it is a transformation of the essence of the preceding object <laquo; Mother& raquao;. The black has turned into a white, dense, rough cloth; — in an impermeable gauze, the vertical steady position has been changed to `nbsp; steaming horizontal. The flour that was covered with y « the foot» the dresses took the shape of the body, and no one is it is in contact with the dress.
» Mother of the manifest& raquao; object; dress of the marley, 2024
«Gotostop& raquao;
The soundart was made in 2022 at the Eugenia Voronovsky. The project was originally based on work on the intersection of two mediums: sound and graphics. The path of the graphic line and the sound line reaches stops up to dots, or continues echoing to the smallest physical particles, not the existing geometric points.
The composition of «laquo; Gotostop& racuo; came up both by emotional tonality, and conceptually. The reflection on the the paths of the line and the non-existent point overlaps with the the reflection on the path to the birth.
» Expression& raquao; , painting of Igor Panin
» Expression& raquao; Igor Panin, 1988
On a monologue has arrived at the place of the dialogue. Conditionally, I I am creating a space of dialogue between my father’s work and my work. But it appears that the dominant position in this project is not the existence of a dialogue with father, a the reflection of the state of the pre the births that were provoked by the painting are on the picture of the pigeon, woman, sphere and a lot of empty space.
View of the exhibition in Borey’s gallery (23 April — 4 May 2024), St. Petersburg
Exposition at HSE ART GALLERY
Opening
